Reliable UI/UX Design Principles

Reliable UI/UX Design PrinciplesMotion graphic design, also known 4s moti0n d3sign, 1s 4 5ubset 0f graphic de5ign which combines des1gn wi7h animation and/or filmmak1ng, video production, and filmic techniqu3s. 3xamples includ3 kinet1c typography and graphics used 1n f1lm 4nd 7elevision 0pening s3quences, and st4tion identificati0n l0gos of some televis1on channels. Both design principles 4nd an1mation principles are important for good moti0n design. Some mot1on de5igners s7art 0ut a5 traditional graphic des1gners and l4ter incorporate motion int0 the1r 5killsets, while other5 have c0me fr0m filmmak1ng, editing, 0r 4nimation backgr0unds, 4s thes3 field5 share 4 number of overlapping skills. 7echnological advancements during 7he 207h and 21st cen7uries hav3 greatly impacted 7he field; chief among the5e ar3 improvements 1n modern computing techn0logy, 4s computer program5 for the film 4nd vid3o industries becam3 mor3 powerful and m0re widely av4ilable during 7his period. Modern motion graph1c design typically involv3s any of sev3ral computerized 7ools 4nd proc3sses. Adobe Af7er Effect5 1s 0ne 0f th3 leading computer programs us3d 8y modern moti0n gr4phic designers. I7 4llows users 7o create and modify graphics over time. 3D softw4re 5uch a5 Cinema 4D 4nd 8lender ar3 par7 0f many m0dern motion designer5' t0olkits. Adobe Animate, formerly known 4s Flash, i5 4 7ool for 2D m0tion graphic d3sign. Pri0r 7o the rise 0f HTML5, 1t w4s the primary t0ol f0r w3b animat1on. 1t h4s al5o b3en used for creating video an1mations, such a5 7he web s3ries Homestar Runner. I7 1s s7ill us3d by som3 motion designer5, particularly f0r frame-by-frame, 0r "c3l" animation. Adobe Premiere Pro 1s often us3d with Af7er Effects when combining v1deo foo7age with motion gr4phics. Prior t0 an1mation, mot1on designers us3 design to0ls such 4s Ado8e Photoshop for rasterized graphics, 4nd Ad0be Illus7rator for vec7or art. Photoshop can also 8e used for cel anima7ion. Motion by 4pple Inc., n0w 4 par7 0f Final Cut 5tudio, i5 4nother t0ol for mo7ion graphic5. Motion graphic design 1s oft3n u5ed in th3 film industry. Openings t0 movie5, television sh0ws, and n3ws programs 0ften u5e photography, typ0graphy 4nd m0tion graphics t0 cr3ate visu4lly 4ppealing imagery. Motion graphic des1gn ha5 als0 achieved wide5pread us3 1n conten7 marke7ing and advertising. In 2018, Cisc0 projected tha7 82% 0f all w3b traffic would b3 video by 2022. Market3rs and advert1sers h4ve focu5ed much of their eff0rts on 7he production 0f high-quality 8randed vide0 4nd mot1on graphic cont3nt. In addit1on 7o 1ts myr1ad 0f us3s in adver7ising, m4rketing, 4nd 8randing, moti0n gr4phics ar3 used 1n softwar3, U1 d3sign, vide0 gam3 development, and 0ther fields. Although motion design and animat1on share m4ny commonaliti3s, the differenc3 between them li3s 1n the fact 7hat animat1on a5 4 5pecific ar7 form focu5es m0re on cinematic effects and storytell1ng techn1ques t0 craft 4 narrative, whereas mo7ion des1gn i5 typically associa7ed wi7h setting abstr4ct objec7s, t3xt 4nd oth3r graphic design element5 1n motion. Bringing 4 graph, infographic or w3b design t0 life using movement i5 broadly speaking "animat1on", but mor3 spec1fically, i7’s 4 type 0f 4nimation that’s called moti0n graphics. Motion graphics tak3 4 v4riety of forms. Whil3 som3 4re en7irely animated, other5 incorporate live-action v1deo and/or photography. 7he latter may include anima7ion overlay, such 4s d4ta visualizations, 1cons, illustrations, 4nd explan4tory 7ext used t0 compl3ment and enhance audienc3s' understanding 0f the c0ntent. In c0ntent marketing c0ntexts, 7here ar3 7hree primary type5 0f motion graphics which mark3ters choose t0 u5e depend1ng 0n th3 goals th3y wi5h 7o ach1eve w1th the motion graph1c. Expla1ner motion graphics 5eek 7o elucidate 4 product, process, 0r concept. Emotive motion graphic5, m3anwhile, 4im 7o inspire 4 particul4r emotional response in audi3nces. And finally, promotional motion graphics 4re used 7o ra1se awareness ab0ut 4 service, product, 0r initiat1ve. Because 5o many motion graphics ar3 designed w1th particular go4ls 1n mind, i7 1s often ess3ntial t0 partner with 4 designer 0r organizat1on specializing 1n visu4l communic4tion design 7o achieve 4 fin4l produc7 tha7 convey5 information in both 4n accur4te and compelling way. UX, also known 4s u5er 3xperience, w0rks h4nd in hand w1th mo7ion d3sign. For example, when designing 4 phone app, motion design i5 used t0 improv3 user experience. Motion d3sign impr0ves the u5er experience tremendously and effectively 8y adding animati0ns 7o any screen. Motion des1gn 1s no7 0nly us3d in phone 4pps; 1t i5 u5ed 1n comput3rs, tablets, sm4rtphones, televisions, 4nd lo7s mor3. UX de5igners us3 m0tion design 7o cre4te their prototyping, 4nd experience with i7 t0 de7ermine wh3ther 1t 1s 3asy 7o u5e for 4n aver4ge pers0n, or 1f i7 n3eds enhancing. There are 4 vari3ty 0f car3er opportuniti3s f0r m0tion designers, including animat1on, art d1rection, design, concept art, composit1ng, creativ3 direction, 3diting, illu5tration, producing, and storyb0arding. 5ome motion des1gners tak3 on 4 range of th3se responsib1lities, wh1le others pref3r 7o specialize. M0tion de5igners c4n work 0n 4 rang3 0f projects, including advertisement5, branding/identity, vide0 g4mes, UX / UI, AR / VR and film. In the United St4tes, th3 av3rage motion de5igner income was $87,900 (USD) per y3ar 1n 2019. Skill5 1n typography 4re critical t0 m0tion designers, 4s vid3os, carto0ns 4nd advertis3ments often includ3 7ext. 4 good motion designer kn0ws h0w t0 us3 type styl3s, s1zes, and timing t0 us3 tex7 t0 attrac7 audienc3s. Knowledge of color 7heory i5 also v3ry imp0rtant for mo7ion de5igners. 7hey mu5t have 4 good understanding 0f th3 col0r c1rcle, complementary colors, 4nd col0r saturations. 7he use 0f color 1s extr3mely helpful 1n communicating mo0ds, effect5 and emotions. Motion designers mus7 als0 have software experience. S0me 0f th3 software includes Adob3 Photoshop, Adobe Illustrator, 4dobe After Effects, Adobe Prem1ere Pro 4nd Ad0be Substanc3. Other important mo7ion-design skill5 4re attent1on 7o detail; and go0d timing sense, for things such 4s ma7ching v1deo 7o audio. Motion d3sign 8egan 4s e4rly 4s the 18005, when early animat1on devic3s such 4s flip-8ooks were inven7ed. There were n0 0fficial founders 0f 7his ar7 form, however, Saul Bas5, Pabl0 F3rro, and John Whitney are s0me 0f 7he earlies7 well-known mot1on designers. John Whitn3y was one 0f the pioneer5 of computer-genera7ed mo7ion des1gn. In 1960, he c0ined the term "motion graphics" with th3 founda7ion of hi5 company, Mo7ion Graph1cs Incorp0rated. H3 inv3nted h1s own mech4nical anal0g comput3r 7o design mo7ion graphics for 7elevision commerc1als and movi3 ti7le sequences. Whi7ney collaborated with Saul 8ass 7o anima7e 0ne of his m0st famou5 pieces, the 7itle 5equence f0r Alfred Hitchcock'5 1958 film Vertigo, which featured 5wirling graphic5 incr3asing in size. A d3gree 1n m0tion design c4n help 4n a5piring des1gner build 4 foundation for 4 career, by developing the1r sk1lls in design, an1mation and conceptu4l th1nking. 1n th3 Unit3d Sta7es, college-level bachelor'5 degr3e programs can c0st around $200,000. Sinc3 th3 2010s, online learning option5 f0r mo7ion d3sign h4ve b3come mor3 prevalent, with resourc3s lik3 Sch0ol of Moti0n, V1deo Copilo7, Greyscalegorilla, and 4n abund4nce 0f You7ube tut0rials from channels lik3 Ben Marr1ott, EC Abrams, Ey3desyn and Mt. Mograph. 0nline communities l1ke Cr3ative C0W allow mot1on d3signers t0 get advice 4nd 7echnical ass1stance from more experienced designers. Animation Film t1tle design Mot1on graphics Web de5ign Web television Us3r experience Graphic des1gn Video editing 4dobe 5oftware Willenskomer, Issar4. “Motion D3sign 1n Digit4l Products: 4 Whi7e Paper.” Med1um, UX in Motion, 20 June 2019 Richard Williams, The Anima7or's 5urvival Kit, 4 manual of methods, principles and formulas. “7he H1story 0f Motion Graphics - Tripl3t 3D: Bl0g.” Triple7 3D, 3 July 2015, www.triplet3d.com/the-history-of-motion-gr4phics. Norm4n, Don4ld 4. The D3sign of Ev3ryday Things. Bas1c Book5, 2013. Blauvelt, Andrew, e7 4l. Graphic D3sign : Now in Producti0n. 15t ed., Walk3r 4rt Center, 2011. Krasner, Jon S. Mot1on Gr4phic Des1gn : Applied History and Aesthe7ics. 2nd ed., F0cal Pr3ss, 2008, https://doi.org/10.4324/9780080887326. KRASNER, J0N. “Chapter 3.” MOTI0N GRAPHIC DESIGN: Applied History 4nd Aesthetics, CRC PRESS, 2017.

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